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Verdi Giuseppe (1813-1901)
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Orchestra e coro del Teatro Regio di Torino
Inno delle nazioni
(Hymn of the Nations)
Cantica
Composed for the International Exhibition in London, 1862 Francesco Meli tenor
Libera me, Domine
Barbara Frittoli soprano
Quattro pezzi sacri
(Four Sacred Pieces)
La vergine degli angeli
Concluding chorus, with Leonora, from La forza del destino, (Act II)
Barbara Frittoli soprano
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Reviews
Gianandrea Noseda leads his Italian forces in a rich, red-blooded rendition of Verdi’s late, cobbledtogether
masterpiece and other choral works.
Francesco Meli and Barbara Frittoli, with her wide and warm vibrato, give performances of great energy and directness.
Look out for a fascinating filler, Inno delle nazioni, which is a strangely wonderful “mash-up” of English, French and Italian national anthems.
Paul Gent - The Telegraph - 9 April 2011
Novelties and sketches they may be but Verdi’s craftsmanship shines through ... The Turin chorus gives an idiomatic and highly satisfying performance of the taxing Four Sacred Pieces... Their orchestral colleagues provide opulent and exhilarating support throughout this varied and well-balanced programme.
Malcolm Riley – Gramophone May 2011
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The Italian Intermezzo
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BBC Philharmonic Orchestra
Francesco Cilea (1866-1950)
Adriana Lecouvreur Intermezzo, Act II
Giacomo Puccini (1858-1924)
Manon Lescaut Intermezzo, Act III
Alfredo Catalani (1854-1893)
Loreley Dance of the Water Nymphs
Giacomo Puccini
Suor Angelica Intermezzo
Umberto Giordano (1867-1948)
Siberia Prelude to Act II
Amilcare Ponchielli (1834-1886)
La Gioconda Dance of the Hours
Pietro Mascagni (1863-1945)
L'Amico Fritz Intermezzo
Giuseppe Verdi (1813-1901)
La traviata Prelude to Act III
Giacomo Puccini
Edgar Prelude to Act I Prelude to Act III
Alfredo Catalani
La Wally Prelude to Act III Intermezzo Prelude to Act IV Intermezzo
Ermanno Wolf-Ferrari (1876-1948)
I Quattro Rusteghi Intermezzo
Jewels of The Madonna Intermezzo
Ruggero Leoncavallo (1857-1919)
I Pagliacci Intermezzo
Umberto Giordano
Fedora Intermezzo to Act II
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Music without Words
These orchestral intermezzi are, in the main, mood-painting interludes found in the great Italian operatic repertoire of the nineteenth and twentieth centuries, usually connecting acts in the opera. The music is powerfully atmospheric, designed not only to create the right mood for the ensuing action of the opera, but also to provide some respite from the drama itself. The exception is the famous ‘Dance of the Hours’ from Ponchielli’s La Gioconda, which like most ballets found in operas represents a break for the audience to enjoy the dance sequence. The piece was immortalised in Walt Disney’s film Fantasia and has long been one of the classics of the repertoire. Gianandrea Noseda is in his element in music from his native Italy, conducting the BBC Philharmonic in a unique programme.
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Reviews
'Anyone new to Romantic Italian Opera will enjoy a sampler par excellence and those who adore the full works will relish these tasty nibbles of their wonderful qualities.’
Colin Anderson, Classical Source, January 2010
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Bassoon Concertos
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Wolfgang Amadeus Mozart (1756-1791)
Bassoon Concerto in B flat KV 191
Gioachino Rossini (1792-1868)
Bassoon Concerto
Conradin Kreutzer (1780-1849)
Fantasie for Bassoon and Orchestra
Bernhard Henrik Crusell (1775-1838)
Bassoon Concertino in B flat
Karen Geoghegan bassoon
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Reviews
The Scottish bassoonist throws a light on a neglected repertoire.
Here is Livingston’s finest – bassoonist Karen Geoghegan – in full bloom with the magnificent BBC Philharmonic and its soon-to-depart principal conductor Gianandrea Noseda furnishing luxury accompaniment to a glorious set of performances. Others can make the bassoon sing, and there are countless acrobats of the instrument these days; but nobody combines all of these skills with such musicianship, grace, poise and the effortless sense of style of Geoghegan. Her Mozart playing is the best I’ve ever heard, and elevates Amadeus’s Concerto way above its regular standing. On a disc that features beautiful performances of lesser-known concerto-type works by Kreutzer and Crusell, delivered with spectacular virtuosity, the real find (and a recent one) is the Bassoon Concerto by Rossini. There is some dispute about the authorship of the piece, but it is Rossini to the life. Whoever wrote it, it’s a fabulous addition to the repertoire, and Geoghegan plays it with every ounce of character at her disposal. A brilliant disc.
Herald Scotland
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Bartok Bela (1881-1945)
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BBC Philharmonic Orchestra
Piano Concerto No. 1, BB 91
Piano Concerto No. 2, BB 101
Piano Concerto No. 3, BB 127
Jean-Efflam Bavouzet piano |
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Reviews
ORCHESTRAL CD OF THE MONTH
BBC MUSIC MAGAZINE OCTOBER 2010
'In league with the finely honed BBC Philharmonic, these are performances vibrant in colour, vital in rhythm and detail and viscerally exciting in impact.'Geoffrey Norris
'If you’re after a disc of Bartók’s piano concertos that maximises on the music’s drive, elegance and sparring potential, then you could hardly do better than this ear-catching new production by Jean-Efflam Bavouzet and the BBC Philharmonic under the spirited direction of Gianandrea Noseda.' Gramophone
'Exciting and dynamic accounts of Bartók's Piano Concertos' Erik Levi
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